A Useful Ghost: Southeast Asia's Cinematic Triumph at Cannes
May 23, 2025, 11:47 pm
In the world of cinema, few events shine as brightly as the Cannes Film Festival. It’s a stage where dreams are realized, and stories come alive. This year, a Thai film titled *A Useful Ghost* has emerged as a beacon of creativity, winning the Grand Prix Ami Paris trophy at the Critics’ Week. This accolade is not just a trophy; it’s a testament to the power of storytelling and the magic of collaboration across borders.
Directed by Ratchapoom Boonbunchachoke, *A Useful Ghost* is a fresh take on a beloved Thai folklore tale, Mae Nak. This story has haunted the hearts of many, weaving its way through generations. But Boonbunchachoke adds a twist. The protagonist, a wife who succumbs to dust pollution, returns not as a spectral figure but as a vacuum cleaner. This unexpected transformation unravels a love story that defies the boundaries of life and death. It’s a narrative that dances between the realms of the living and the supernatural, challenging viewers to rethink their perceptions of love and loss.
The film is a product of collaboration, co-produced by Singapore’s Momo Film Co alongside French and German partners. This blend of cultures enriches the narrative, showcasing the strength of Southeast Asian storytelling on a global platform. The involvement of Singaporean talents, such as sound designer Lim Ting Li and product designer Sim Hao Jie, further highlights the region's burgeoning film industry. This collaboration is a reminder that art knows no borders; it thrives on diversity and shared experiences.
The Critics’ Week at Cannes is dedicated to discovering new talent. It’s a nurturing ground for fresh voices in cinema. *A Useful Ghost* stood out among its peers, capturing the hearts of critics and audiences alike. The film’s win is a significant milestone, not just for the filmmakers but for Southeast Asian cinema as a whole. It signals a shift, a recognition that stories from this region resonate on a global scale.
Prime Minister Lawrence Wong’s recent unveiling of his full Cabinet in Singapore also reflects a similar spirit of collaboration and innovation. Just as *A Useful Ghost* showcases the importance of teamwork in filmmaking, Wong’s Cabinet reshuffle emphasizes the need for a cohesive approach in governance. The new lineup includes three coordinating ministers, a strategic move to enhance coordination across various ministries. This structure aims to streamline decision-making and improve public service delivery, much like how a well-edited film flows seamlessly from scene to scene.
Wong’s Cabinet features a mix of seasoned politicians and fresh faces, echoing the blend of experience and innovation seen in *A Useful Ghost*. The appointment of new political office holders signifies a commitment to nurturing talent within the ranks. It’s a reminder that just as films require a strong cast and crew, effective governance relies on a capable team.
The role of coordinating ministers in Wong’s Cabinet is akin to the role of a director in a film. They are tasked with ensuring that various elements come together harmoniously. For instance, Chan Chun Sing, as the coordinating minister for public services, will focus on improving service delivery. This mirrors the meticulous attention to detail that filmmakers must have to create a compelling narrative. Every frame, every sound, every performance must align to tell a cohesive story.
As *A Useful Ghost* prepares for its Singapore release, anticipation builds. The film’s unique premise and its triumph at Cannes have set the stage for a warm reception. It’s a reminder that cinema can bridge cultural divides, fostering understanding and appreciation among diverse audiences. The film invites viewers to explore themes of love, loss, and the human experience, resonating with anyone who has ever loved deeply.
In a world where stories often get lost in translation, *A Useful Ghost* serves as a powerful reminder of the universal nature of storytelling. It challenges us to look beyond the surface, to see the beauty in the unconventional. Just as the film transforms a ghost into a vacuum cleaner, it encourages us to find meaning in unexpected places.
Similarly, Wong’s Cabinet reshuffle reflects a commitment to addressing the pressing issues facing Singapore. The focus on social policies and public services is crucial in a rapidly changing world. As the country navigates challenges such as an ageing population, the need for innovative solutions becomes paramount. Wong’s leadership, much like Boonbunchachoke’s direction, will be pivotal in shaping the future.
In conclusion, *A Useful Ghost* and Wong’s Cabinet reshuffle are both stories of transformation and collaboration. They remind us that whether in film or governance, success lies in the ability to adapt, innovate, and work together. As we celebrate the triumphs of Southeast Asian cinema, we also look forward to the positive changes that effective leadership can bring. The future is bright, and the stories we tell will continue to shape our world.
Directed by Ratchapoom Boonbunchachoke, *A Useful Ghost* is a fresh take on a beloved Thai folklore tale, Mae Nak. This story has haunted the hearts of many, weaving its way through generations. But Boonbunchachoke adds a twist. The protagonist, a wife who succumbs to dust pollution, returns not as a spectral figure but as a vacuum cleaner. This unexpected transformation unravels a love story that defies the boundaries of life and death. It’s a narrative that dances between the realms of the living and the supernatural, challenging viewers to rethink their perceptions of love and loss.
The film is a product of collaboration, co-produced by Singapore’s Momo Film Co alongside French and German partners. This blend of cultures enriches the narrative, showcasing the strength of Southeast Asian storytelling on a global platform. The involvement of Singaporean talents, such as sound designer Lim Ting Li and product designer Sim Hao Jie, further highlights the region's burgeoning film industry. This collaboration is a reminder that art knows no borders; it thrives on diversity and shared experiences.
The Critics’ Week at Cannes is dedicated to discovering new talent. It’s a nurturing ground for fresh voices in cinema. *A Useful Ghost* stood out among its peers, capturing the hearts of critics and audiences alike. The film’s win is a significant milestone, not just for the filmmakers but for Southeast Asian cinema as a whole. It signals a shift, a recognition that stories from this region resonate on a global scale.
Prime Minister Lawrence Wong’s recent unveiling of his full Cabinet in Singapore also reflects a similar spirit of collaboration and innovation. Just as *A Useful Ghost* showcases the importance of teamwork in filmmaking, Wong’s Cabinet reshuffle emphasizes the need for a cohesive approach in governance. The new lineup includes three coordinating ministers, a strategic move to enhance coordination across various ministries. This structure aims to streamline decision-making and improve public service delivery, much like how a well-edited film flows seamlessly from scene to scene.
Wong’s Cabinet features a mix of seasoned politicians and fresh faces, echoing the blend of experience and innovation seen in *A Useful Ghost*. The appointment of new political office holders signifies a commitment to nurturing talent within the ranks. It’s a reminder that just as films require a strong cast and crew, effective governance relies on a capable team.
The role of coordinating ministers in Wong’s Cabinet is akin to the role of a director in a film. They are tasked with ensuring that various elements come together harmoniously. For instance, Chan Chun Sing, as the coordinating minister for public services, will focus on improving service delivery. This mirrors the meticulous attention to detail that filmmakers must have to create a compelling narrative. Every frame, every sound, every performance must align to tell a cohesive story.
As *A Useful Ghost* prepares for its Singapore release, anticipation builds. The film’s unique premise and its triumph at Cannes have set the stage for a warm reception. It’s a reminder that cinema can bridge cultural divides, fostering understanding and appreciation among diverse audiences. The film invites viewers to explore themes of love, loss, and the human experience, resonating with anyone who has ever loved deeply.
In a world where stories often get lost in translation, *A Useful Ghost* serves as a powerful reminder of the universal nature of storytelling. It challenges us to look beyond the surface, to see the beauty in the unconventional. Just as the film transforms a ghost into a vacuum cleaner, it encourages us to find meaning in unexpected places.
Similarly, Wong’s Cabinet reshuffle reflects a commitment to addressing the pressing issues facing Singapore. The focus on social policies and public services is crucial in a rapidly changing world. As the country navigates challenges such as an ageing population, the need for innovative solutions becomes paramount. Wong’s leadership, much like Boonbunchachoke’s direction, will be pivotal in shaping the future.
In conclusion, *A Useful Ghost* and Wong’s Cabinet reshuffle are both stories of transformation and collaboration. They remind us that whether in film or governance, success lies in the ability to adapt, innovate, and work together. As we celebrate the triumphs of Southeast Asian cinema, we also look forward to the positive changes that effective leadership can bring. The future is bright, and the stories we tell will continue to shape our world.