Phamaly Theatre Company: A Beacon of Inclusivity in the Arts
May 3, 2025, 6:36 pm
In a world often divided by differences, the Phamaly Theatre Company stands as a vibrant tapestry of inclusivity. Their recent production of “The 25th Annual Putnam County Spelling Bee” at the Parson Theatre in Northglenn, Colorado, is a testament to this mission. Here, the stage transforms into a playground where everyone belongs, regardless of ability.
The musical, crafted by William Finn and Rachel Sheinkin, is a whirlwind of humor and heart. It’s a blend of physical comedy and clever wordplay, reminiscent of a quirky indie film. The cast embraces the absurdity of the script, delivering a performance that dances between camp and sincerity. It’s a delightful chaos, much like a child’s birthday party where laughter and surprises abound.
At Phamaly, adaptation is not just a strategy; it’s a way of life. The actors support one another, creating a sense of community that transcends individual performances. Each character bursts with personality. Luke Fish, as Leaf, dons pajamas adorned with Sonic the Hedgehog and Mario Bros., while Zay Cann, playing Logainne, sports playful pigtails and overalls. These choices reflect a spirit of freedom, where limitations dissolve into creativity.
The show builds to a climax with two finalists, Barfee and Olive. Eli Schroeder, portraying Barfee, and Sam Barrasso as Olive, are seasoned performers. Their voices soar, filling the theater with rich melodies. Barfee’s “magic foot,” a clever device that aids his spelling, is a standout moment. Schroeder’s portrayal, using canes to spell words, is both humorous and poignant. Yet, even in this joyous setting, a misstep occurs. An offensive joke in the script falls flat, reminding us that sensitivity is crucial in spaces meant for everyone.
Inclusivity extends beyond the stage. Ben Raanan, Phamaly’s director, embodies this ethos. He encourages audience members to wear face masks, catering to those with autoimmune conditions. The lobby is stocked with noise-muffling headphones, fidget toys, and other aids. These accommodations are not mere afterthoughts; they are integral to the experience. The theater becomes a sanctuary, where everyone can feel safe and engaged.
Raanan’s introduction is a call to action. He highlights the precarious nature of funding for the arts, especially in an era where diversity and inclusion are often sidelined. The threat of losing federal support looms large, a shadow over the company’s future. Yet, Phamaly’s spirit remains unbroken. They plan a Broadway-themed fundraiser to bolster their mission, proving that community support can be a lifeline.
The Phamaly Theatre Company is not just a theater; it’s a movement. They challenge the status quo, proving that art can be a powerful tool for change. Their commitment to inclusivity resonates deeply, creating a ripple effect that extends beyond the stage. Each performance is a reminder that everyone deserves a seat at the table.
In a world that often feels fragmented, Phamaly brings people together. Their productions invite audiences to laugh, cry, and reflect. They remind us that our differences are not barriers but bridges. Each character, each story, is a thread in the rich fabric of humanity.
As the curtain falls on “The 25th Annual Putnam County Spelling Bee,” the audience is left with more than just entertainment. They leave with a sense of belonging, a feeling that they are part of something greater. Phamaly Theatre Company is a beacon of hope, illuminating the path toward a more inclusive future.
In the coming weeks, Phamaly will continue to push boundaries with their upcoming production, “Pericles: An Adaptive Show for People with Cognitive Disabilities.” This performance invites not only spectators but also participants, blurring the lines between actor and audience. It’s a bold step, showcasing the power of collaboration and shared experience.
The arts have the power to heal, to unite, and to inspire. Phamaly Theatre Company embodies this truth. They create a space where everyone can shine, where every voice matters. In a society that often overlooks the marginalized, Phamaly stands firm, a testament to the strength of community and the beauty of diversity.
As we look to the future, let us remember the lessons learned from Phamaly. Inclusivity is not just a goal; it’s a journey. It requires effort, understanding, and compassion. Each of us has a role to play in this narrative. By supporting organizations like Phamaly, we contribute to a world where everyone can thrive.
In the end, Phamaly Theatre Company is more than a theater. It’s a celebration of life in all its forms. It’s a reminder that art can break down walls and build bridges. As they continue to create, they invite us all to join in the dance of inclusivity. Together, we can create a world where everyone’s story is told, and every voice is heard.
The musical, crafted by William Finn and Rachel Sheinkin, is a whirlwind of humor and heart. It’s a blend of physical comedy and clever wordplay, reminiscent of a quirky indie film. The cast embraces the absurdity of the script, delivering a performance that dances between camp and sincerity. It’s a delightful chaos, much like a child’s birthday party where laughter and surprises abound.
At Phamaly, adaptation is not just a strategy; it’s a way of life. The actors support one another, creating a sense of community that transcends individual performances. Each character bursts with personality. Luke Fish, as Leaf, dons pajamas adorned with Sonic the Hedgehog and Mario Bros., while Zay Cann, playing Logainne, sports playful pigtails and overalls. These choices reflect a spirit of freedom, where limitations dissolve into creativity.
The show builds to a climax with two finalists, Barfee and Olive. Eli Schroeder, portraying Barfee, and Sam Barrasso as Olive, are seasoned performers. Their voices soar, filling the theater with rich melodies. Barfee’s “magic foot,” a clever device that aids his spelling, is a standout moment. Schroeder’s portrayal, using canes to spell words, is both humorous and poignant. Yet, even in this joyous setting, a misstep occurs. An offensive joke in the script falls flat, reminding us that sensitivity is crucial in spaces meant for everyone.
Inclusivity extends beyond the stage. Ben Raanan, Phamaly’s director, embodies this ethos. He encourages audience members to wear face masks, catering to those with autoimmune conditions. The lobby is stocked with noise-muffling headphones, fidget toys, and other aids. These accommodations are not mere afterthoughts; they are integral to the experience. The theater becomes a sanctuary, where everyone can feel safe and engaged.
Raanan’s introduction is a call to action. He highlights the precarious nature of funding for the arts, especially in an era where diversity and inclusion are often sidelined. The threat of losing federal support looms large, a shadow over the company’s future. Yet, Phamaly’s spirit remains unbroken. They plan a Broadway-themed fundraiser to bolster their mission, proving that community support can be a lifeline.
The Phamaly Theatre Company is not just a theater; it’s a movement. They challenge the status quo, proving that art can be a powerful tool for change. Their commitment to inclusivity resonates deeply, creating a ripple effect that extends beyond the stage. Each performance is a reminder that everyone deserves a seat at the table.
In a world that often feels fragmented, Phamaly brings people together. Their productions invite audiences to laugh, cry, and reflect. They remind us that our differences are not barriers but bridges. Each character, each story, is a thread in the rich fabric of humanity.
As the curtain falls on “The 25th Annual Putnam County Spelling Bee,” the audience is left with more than just entertainment. They leave with a sense of belonging, a feeling that they are part of something greater. Phamaly Theatre Company is a beacon of hope, illuminating the path toward a more inclusive future.
In the coming weeks, Phamaly will continue to push boundaries with their upcoming production, “Pericles: An Adaptive Show for People with Cognitive Disabilities.” This performance invites not only spectators but also participants, blurring the lines between actor and audience. It’s a bold step, showcasing the power of collaboration and shared experience.
The arts have the power to heal, to unite, and to inspire. Phamaly Theatre Company embodies this truth. They create a space where everyone can shine, where every voice matters. In a society that often overlooks the marginalized, Phamaly stands firm, a testament to the strength of community and the beauty of diversity.
As we look to the future, let us remember the lessons learned from Phamaly. Inclusivity is not just a goal; it’s a journey. It requires effort, understanding, and compassion. Each of us has a role to play in this narrative. By supporting organizations like Phamaly, we contribute to a world where everyone can thrive.
In the end, Phamaly Theatre Company is more than a theater. It’s a celebration of life in all its forms. It’s a reminder that art can break down walls and build bridges. As they continue to create, they invite us all to join in the dance of inclusivity. Together, we can create a world where everyone’s story is told, and every voice is heard.